Skip to main content

Columbus and Cincinnati, OH

An Ethiopian taxi driver in Columbus, OH, offered marriage to me.

He felt that his US Citizenship made him irresistible. When I laughed, he chided me: “No no, I am serious. Take my card.” It took some amount of firmness to dissuade him.

He was driving me from the Columbus airport to the Greyhound bus terminal. The meeting was at Cincinnati, but the airfares had been prohibitively expensive. So the smart of idea of flying to Columbus and taking the bus from thereon had been hatched. It was thus I landed in Columbus, bright eyed and busy tailed, on Tuesday morning.

My driver handled my rejection gamely with “You Indians only marry Indians no?” He then proceeded to show me the meager and underwhelming landmarks of Columbus downtown. It was disappointing really, because from the air, Columbus looked like the modern day cousin of the “village we know so well”. There were neatly arranged houses in tidy neighborhoods everywhere. From 20,000 ft, it certainly looked like peace was reigning.

But downtown was characterless, a little helter-skelter, and overambitious. An all too short a ride through its streets later, we landed in front of the Greyhound terminal.

Have you ever driven through poorer neighborhoods in the US? Have you felt the unspoken menace in the air, even though there is nobody around and everything is ominously still? Well, Greyhound terminal was rife with such danger.

It was in a gray alley. It was tucked about 50 ft from the road. The walkway was charmless, with litter fluttering around. Two or three youth were insouciantly hanging about the entrance. With a sinking heart, I pushed the door and entered a harshly lit but poorly upholstered interior. The first sign I saw was “firearms are not allowed on the buses.”

The next poster I saw was “It’s not too late to go back home,” addressed to at-risk teenage runaways. There seemed to be a few of them at the terminal. The young man in a jaunty hat, his girlfriend in seriously torn jeans, that young lady on the floor who had a shock of bright green hair accentuating her blonde tresses , all looked like they escaped the sets of Trainspotting 2.

I had about 90 minutes to kill. Realizing that spending them at the terminal was out of question, I ran out and started wandering around downtown Columbus in an aimless manner. The very first thing I ran smack into was the Statehouse building—a sprawling beautiful monument. I don’t what Columbus-ians think of it, but I thought it was a tad too big for the city. I found the 7 ft statue of Columbus holding a globe in his hand pensively on its grounds deliciously pompous.

I really shouldn’t be irreverent to the building or the state because of the role it played in the Civil War. I found a very interesting plaque on the Underground Railroad that was active in Ohio before the war.

As I walked around, I was accosted by a group of Vegans who were spreading awareness. When the lady said, “there is Vegan chicken available!” I couldn’t resist responding: “What? I am a vegetarian!” The ornate Ohio Theater was screening John Wayne’s Rio Bravo (1959) as the premier show of the summer movie series. I was charmed by Columbus’ answer to Times Square on High Street. I decided to have food at Cinco’s, a regular Mexican place in a fancy building, overlooking the video walls.

By now, it was time to go back to the bus terminal. We were shuffled on to the bus, which lived up to expectations. While not being overtly dirty, the interiors threatened to unravel in that direction any moment. We were asked not to sit on a couple of seats because “they are broke”. I found chewing gum stuck to the a/c vent below my window.

I was joined on the next seat by Bunty, an unmistakably Punjabi young man, who insisted that I should watch Veer, the DVD of which he was carrying. When I demurred, he rummaged through his collection, anxious to find something that will suit my taste. But since he only had “Pakistani drama”, we settled that he was just not destined to provide me with entertainment. Luckily, he didn’t propose marriage, which could be because of this girlfriend in Jalandhar with whom he talked nonstop for two hours. He said she fights with him “too much” because of “shaq”.

My ride to Cincinnati was otherwise eventless and quite brief. The rest of the evening was spent in preparing for the meeting next day. Things flowed in the manner of these things—we started out with total confusion, got some clarity after a couple of drinks, got hysterical at some point, and then ended in grunt work. We also ate a lot of food in the meanwhile, including a latish run to the nearby Chipotle.

This afternoon, after the meeting, all of us set out for our respective destinations back home. S gave me a ride to Columbus. I wanted him to stop at some place so that I can take some pictures for my website (http://futloose.com/blog for those who haven’t still seen it). S had been running a fever for the past two days and justifiably wanted to just get back home.

But I cribbed and cribbed in the car and made him stop at a rest place. As we walked around in the small woods, we found a lot of dog poop and mushrooms. Within an area of 50 sq. feet, we saw about a dozen species of mushrooms. Perhaps dog poop is the best manure for mushrooms. After capturing these colorful little fun-gis on my camera, we set out.

Unbeknownst to me, S had another surprise in store. A few miles down the road, he suddenly exited the highway and entered seriously rural environs—long roads amidst woods, fields, grazing horses and goats, scattered farm houses, and dairy farms. It all ended in a scenic little lake called Caesar Lake. Summer sun was making the sky an endless expanse of blue with painted on plump clouds, the water jade green, and the trees a lush green.

After spending a happy 20 minutes there, we sped back to Columbus. As usual, our flight was delayed. S started looking very ill indeed. We finally stumbled into our plane. We landed in Chicago literally under a cloud conglomerate. The city looked like some gothic painting, all grays and smog and a smear of scarlet in the horizon.

It all looked gloriously complex and inviting.

Comments

ek-aani said…
"Makkhan jaisa" piece, this one(dialogue borrowed from Ishqia). Love the easy flow and small sentences. And the painterly references - 'jade green', 'Gothic painting with a smear of scarlet' etc. And I think you paint menace quite well, was seriously expecting something to happen at the Greyhound terminal. Looking forward to pix of fun-gis :-)

Popular posts from this blog

Priya’s Must Watch Movies List

(Warning: a long post) “Why don’t you write a blog post on Tamil movies that non-Tamil people can enjoy?” Arif asked me the other day, perhaps in a bid to stop me from going on and on about a recent Tamil movie I watched. It was a capital idea. I decided to take out couple of hours from a week that is killing in its work load to write the post. I knew I was going to have fun. Thank you Anup and Anil for helping me come up with the list! The Tamil Milieu “Frank passions of Tamil cinema”, said Nisha Susan in a recent article. How true! Hot headed, vocal, simple, loyal Tamils with centuries of unbroken performing arts tradition embraced cinema as early as 1897. It was the beginning of a long, passionate, earthy love story, making cinema an extension of our identity, a part of our popular culture, intermingling with politics and daily life. 50-feet cut outs are but a small expression of our love. We make countless stars and worship them with pure hearts. Our whole hearted approval of the f

Catharsis

How relevant can a play that was first staged in 458 BC and won a goat as a prize in the Festival of Dionysius be to our lives now? I was cynical. Damn it, the hole burnt by the 75 USD I wasted on that completely puerile, award-winning musical on Broadway with a far shorter history still smoked in my purse. But it was a beautiful day outside – sunny and warm after 10 days of gloomy, cold, and wet weather. The play was happening practically next door and was priced at an affordable 14 USD. I’d never watched a Greek tragedy in my life and I had promised Geetha that I would come back and bore him with it. So off I went to watch what I thought was an ambitious presentation of the entire trilogy of Oresteia by Aeschylus by the Bradley University Theater group. Of course I had my reservations: I wondered how were they going to make me care about a story so bloody and unrelatable – hell, the plot outline sounded like a handbook on “How to kill your family and come up with convincin

Sundarbans – The Mystic Vastness

You need to be in a state of preparedness to visit the Sundarbans. I suggest that you wait until you are over 30 and have experienced a few knocks, some heartbreak, and a little disappointment in life. It would help if you had ever searched for anything—God, happiness, truth, yourself. It might also be useful to believe that it is necessary to get lost to find your way. If you are the sort of person who finds music in the sound of the quiet lap of water against the tarred hull of the boat or the metaphor of life in drifting along endless waters on a little vessel, then you are ready for the magnificent mangroves. Because the Sundarbans is not for the weekend holidayers, the types who would want to drink beer, scratch their bum/crotch/head/something, throw plastic and Styrofoam into the water with impunity, and hope to get laid. I only hope that the crocodiles that eat them would not develop indigestion. It is important to find the right tour guide for the Sundarbans, as we did. Bi

The Messy, Boozy, Bro-y, Funny World of Tamil Movie Heartbreak

Season of Love It seems like every young person in the 16 – 22 age group in Tamil Nadu is in love—with someone unacceptable to their parents. They are expressing their feelings vocally and dramatically, through TV music channels, FM channels, friends, WhatsApp and other social media. They are shaking up the very fundamentals of societal structures and hoary traditions. They are eloping or standing up to opposition; they are marrying in police stations, registrar offices and temples. Some end tragically, but a lot of them seem to be thriving, as parents are resigning to the new order. Sociologists might talk in terms of social mobility, aspirations, westernization, urbanization et al. Be that as it may, every time I call home, I hear one more story. Of clandestine actions, dramatic proclamations, and cinematic gestures. And Tamil movies—that bastion of “ energetic physicality and frank passions ”—supply the voice, plot, lyrics and music for these micro-epics unfolding in

"Low Life Fictions" of Sadat Hasan Manto

My auto came to a halt atone of the dusty, grimy, grey traffic signals that dots the Mumbai suburban landscape. It was just another Mumbai road moment, the air vibrating with the restless thrum of the million engines carrying a million impatient people to their various destinations.  A dusty, grimy, grey street child was making the rounds of the waiting vehicles, begging. He was so small that any smaller, he would have been mistaken for the million bandicoots that live under the pavements and sewers. He was begging the way street children are perhaps taught in their Fagin’s academy—touching the passengers, knocking on the raised car windows, his tone whining and pitiful. He approached an auto containing two teenage girls. As he tried to touch them, one of the girls shrieked in a tone colored by disgust and fear, “Don’t touch me! Don’t touch me!” The little child, as like some of us around, was taken aback by the violence of her words. Just then the signal turned green

Labels

Show more