The movie works because the story does. So the first credit should go to Valmiki, and for the Tamil version of the movie, Kamban. These two gentlemen gave not only a solid story to work from, but pages and pages of beautiful poetry, full of metaphors, similes and poetic nuances. Suhasini’s dialogs sound fantastic because she has done a brilliant job of adapting poetry into simple rustic and colloquial language. Vairamuthu’s lyrics soar in this context. The movie is packed with delightful and fresh visual interpretations of the scenes we know so well—be it Sita pining under a tree, or Hanuman meeting her bearing Ram’s message, or a Bacchanalian celebration of the Asuras. Watch the movie for the fantastic cinematography by Santosh Sivan, if nothing else. Kamban is also responsible for the humanization of Ravanan that we see in the movie. In the Tamil Ramayanam, Ravanan is depicted as a fantastically talented man and a great king. His single weakness which leads to his eventual downfall i...